Robert Fischer

Program Notes: An Introduction To The Last Detail By Alexander Payne

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

Traveling Roadshow

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

Starting Out: The Making of Jerzy Skolimowski's Deep End

The Beast Inside: Creating 'Wolf'

Return to Beethoven Street: Sam Fuller in Germany

Monsieur Truffaut Meets Mr. Hitchcock

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

'Deep End': Remembering the Deleted Scenes

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Jack Arnold Remembers The Incredible Shrinking Man

The Mysteries of Paris: Jacques Rivette's Out 1 Revisited

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Fassbinder in Hollywood

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'

A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Outer Movement, Inner Movement

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited

Perspectives on Othello: Joseph McBride on Orson Welles

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

A Cinema of Signs: Claude Chabrol on Alfred Hitchcock

Requiem for a Killer: The Making of 'Blast of Silence'

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

The Making of Highlander